#WritersReviews: The Twisted Tree

The Twisted Tree

written by Rachel Burge

256 pages including interesting endnotes

published by Hot Key Books Autumn 2018

cover art: Rohan Eason

book design: Cherie Chapman

Modern Northern Gothic with heart

Summary from publisher’s website

Martha can tell things about a person just by touching their clothes, as if their emotions and memories have been absorbed into the material. It started the day she fell from the tree at her grandma’s cabin and became blind in one eye.

Determined to understand her strange ability, Martha sets off to visit her grandmother, Mormor – only to discover Mormor is dead, a peculiar boy is in her cabin and a terrifying creature is on the loose.

Then the spinning wheel starts creaking, books move around and terror creeps in . . .

A reader’s perspective

Have a really good look at that cover by Rohan Eason. Spot the two ravens, the gnarled bark and the bird skeletons? Behind the old gold lettering, there are hints of the two worlds this book inhabits. White, cold contemporary Norway meets a dark mythic otherworld in The Twisted Tree – literally.

There is certainly a resonance with Michelle Paver’s marvellously chilling Dark Matter, but The Twisted Tree is no copycat work. It’s something of a genre-bender (which I love) which would sit well between Neil Gaiman and some Scandi noir. I can see it as a graphic novel in the right hands – say, Pam Smy.

It’s told in the first person by seventeen year old Martha – an utterly credible and engaging  narrator. She can be vulnerable, fierce, sensitive and headstrong. The conceit of her feeling people’s emotions through their clothes is more than just clever. It is essential to the world Rachel Burge has created – and grows in significance the more you read.

The Twisted Tree is a fine novel for anyone dealing with grief and ‘interesting’ family relationships – especially mother-daughter. Mourning and loss (not just of Mormor) permeate the whole book without being miserablist. There is much  growing self-awareness and acceptance among the characters, together with friendship and love. These form the gold uniting the two worlds.

Not for the timid reader, although it might strengthen some with its cold Nordic embrace, it is the opposite of hygge. Confident YA with adolescents at its core – full of big ideas and conflicts. And as creepy as you’d ever want.

A Writer and Editor’s VieW

Elements I can learn from:

  • use of mythology to deepen a family drama – see Catherine Fisher’s Corbenic
  • a setting which permeates the atmosphere and belongs to themes of the story
  • mixing relevant aspects of three genres in a convincing way
  • creating a convincing standalone – which could have a sequel to come (I hope!)
  • representing teens in a way not remotely derived from Hollywood – teen me would adore Stig

NB Highly recommended to go alongside Alexander Yates’ The Winter Place – which uses the Finnish Kalevala to explore similar ideas.

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