Stocktaking

So here I am, fifty nine days into the New Year, heading for another Chi-SCBWI meeting tonight and thinking it’s time for taking stock.

Things I am pleased about:

  • I have written at least something everyday this year so far
  • Write Now/Macmillan wanted to see the rest of ‘Georgiana & the Municipal Moon’ even if they didn’t take it further
  • I shall be doing a workshop on ‘Georgiana & the Municipal Moon’ with Imogen Cooper soon
  • Anne Clark is interested in ‘Georgiana & the Municipal Moon’ when it has been revisited
  • Mslexia short-listed ‘The Selkies of Scoresby Nab’ – although I didn’t win I shall be doing a pitching workshop in Newcastle and a meet-the-professionals event in London in June
  • Times/Chicken House at least long-listed ‘The Selkies of Scoresby Nab’
  • one of my reviews appeared in The Bookseller (via Serendipity Reviews)
 Things I have given a go:
  • PEN/Arvon competition
  • submission of Miscellanea piece to Eggplant Productions
  • fairytale retelling The Bird with Feathers of Gold sent to Untold Press
  • a workshop proposal to David Almond for Bath Festival of Children’s Literature
  • submission to Catherine Clarke at Felicity Bryan (Selkies)
  • entered Adventures in Fiction competition with The Wedding Ghost
Things I intend to do
  • send a short story in for Mslexia Short Story Prize
  • keep posting here every Thursday
  • keep posting on The Wedding Ghost blog every Tuesday
  • keep curating www.seamagic.org
  • keep writing and reading and reviewing
  • keep my chin up!

 

My Fountain Overflows

…with apologies to Rebecca West’s many admirers.

I could précis Ali Sparkes’ talk. I took enough notes, for goodness’ sake, but I’d advise you go listen to her yourself. Nothing beats coming up close and personal with a ‘real author’.

Best Boots in Show – Hay on Wye

But I will pick up on a few points. Her story as a writer included ‘a stack of the loveliest rejections’. What mad profession is it that we value the ‘unfortunately...’ responses?  I hope and trust that it is because our driving force is always to write better stories – and that rejections with a hint of encouragement egg us on to try harder.

Ali was nothing if not realistic. Her recount made us well aware how hard she has worked for her success – brain-frazzlingly hard at times.Yet her liveliness and engagement with her work meant this was not off-putting, more reassuring. The same goes when I see my published colleagues’ amazing spread of work.

There were far more of my friends’ books – but I am a rubbish photographer. This is the only vaguely decent snap.

Not only was she rather purple – she was practical. Here are few of the tips I picked up on:

  • self-edit as you go
  • if you’re lucky, you’ll make a living – just
  • hit deadlines
  • do not throw a hissy fit – ever
  • read your work aloud
  • allow plenty of time for marketing
  • consider a professional editor
  • don’t underestimate the time and effort involved in self-publishing
  • fake it !

Not actually from our event – but you get the idea.

Plenty of food for thought – and plenty of food for the tummy too

Now my main purpose in going to this event was to ‘refill my well’. A couple of disappointments had left me feeling less than passionately motivated about my own work. I try to find something inspiring at least once a month to keep me going. Oh, did I get a bumper topping-up at The Fountain.

Not only did I see my  lovely Scoobie chums – but they waxed lyrical about books they had brought to swap. Few things give me more of a boost than the love of readers for books – and the sheer joyous diversity of literature. It helps me believe there could be a curious little corner for my kind of history-with-magical-realism told in a distinctly Northern voice.

What a fascinating list:

  • Things my mother never told me – Blake Morrison
  • Private Peaceful – Michael Morpurgo
  • Trash – Andy Mulligan
  • Paranormalcy – Kiersten White
  • Midnight is a Place – Joan Aiken
  • A Christmas Carol – Charles Dickens
  • Double Shadow – Sally Gardner
  • The Knife of Never Letting Go – Patrick Ness
  • Once – Maurice Gleitzman
  • Room – Emma Donoghue
  • Framed! -Frank Cottrelll Boyce
  • The Animals of Farthing Wood – Colin Dann
  • Sky Hawk – Gill Lewis
  • The Girl who fell Beneath Fairyland and led the Revels there – Catherynne M. Valente

So in short I’m full to the brim – thanks Ali, Kathryn, Mariam,  Zella, Denyse, Julie, Penny, Jill, Jane, Jan, Jeanette, and Colin from Hayling Island Bookshop.

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Bubbling up

Tonight, Thursday 7th February 2013, Chi-SCBWI is having its first public event -organised by the lovely Kathryn Evans & Mariam Vossough . I’m really looking forward to it.

I love books.

The theme is the romance of books – originally conceived as a retort to that over-commercialised festival later on this month. Certainly, all the people I know that are attending do love books in whatever form they are presented.

We are holding the event in The Fountain. This old inn dating from 1798 in Chichester’s Southgate has a suitable pedigree for all things literary. There are ghosts – a Roman soldier (to go with the bits of Roman wall inside), and a man and his dog.

I wonder if they will like our bookish chatter?

The inn was once kept by George and Sarah Neal – the grandparents of H.G.Wells (his mother was in service at Uppark not so very far away). In my researches for Georgiana and the Municipal Moon  – the city of Selchester not being entirely unlike Chichester I found The Fountain was originally run by one Lucy Ladkin. Further nosiness led me to discover she lived till at least 83 in retirement at Fishbourne. Glorious.

He looks like a jolly soul.

Who knows what further literary triumphs will spring up from this event?

If nothing else it should be fun, as we are having the lovely Ali Sparkes to talk to us, we are swapping books we love (so tricky to choose!) and eating cake.

Ali with her old biology teacher and a blow-up turtle. As you do.

I may even partake of a little Tanglefoot as the bus is my taxi.

Now there’s a source of inspiration!

There may be to follow…

 

I’m reviewing the situation

Words from Lionel Bart’s marvellous ‘Oliver’ where Fagin considers his position.

At the moment, I’m working to a deadline. The submission date for the Write Now competition is 1st December – this Saturday. I only finished the first draft of ‘Georgiana and the Municipal Moon’ on 1st November – all 86,000 words of it!

Now it may well be that I should have shoved it in a (metaphorical) drawer for six weeks as per Stephen King’s advice – but alas, Pan Macmillan won’t wait for me. I have to say, too, that it’s good for me to have a date in mind, something to throw at the procrastination demons. It concentrates the analytical mind, at least.

There are two main aspects to the challenge:

  1. making my 5k extract as brilliant as I can
  2. pulling the first draft into a presentable whole – in case the judges ask for it

I have done a one page synopsis ( always a good exercise to see exactly what your book is about) and my author biography won’t take long. It’s those two biggies above that have caused me to be even more distracted from the ordinary world than usual.

Well, they say two heads are better than none – even if one’s only a sheep’s head where I come from (Yorkshire – where else?). On Friday night, I certainly had more than a flock of yows to consult.

The Night-Before Critique Meet is a legendary pre-SCBWI Conference event where you can tap into the mental resources of four or five authors like you. The group reads everyone’s extracts and gives considered feedback on them. I was lucky enough to work with Sarah Penny, Fiona McKeracher, Julie Day and Jan Carr. Each of these talented writers brought their own distinctive and helpful approach to bear on my work – and I am truly grateful. I will point out that gratitude in my case doesn’t mean that I will take every one of their comments to heart – but it does mean I take them seriously.

Two – you know who you are – have gone even further and provided a response to my redrafted version. How’s that for professional support?

If you are editing, and you have the chance of some input from fellow writers who have the best interests of your text at heart, receive it with a grateful heart. There are few things better.

My gratitude to everyone whose read and commented on my work so far. At the risk of seeming Hollywood-gushy, I couldn’t have done it without you.