Bolstering my faith

(A much more cheery post than the last.)

I am reflecting on the comments of my book champion (God bless her) who got ‘The Selkies of Scoresby Nab’ onto the Times/Chicken House Children’s Fiction long-list for 2012

How I imagine a book champion might look.

Reasons to be cheerful – what the reader said that validated my writing:

  • well-written and moving – the MA was well worth it, then
  • narrative voice is incredibly strong jump and down with delight – isn’t that what everyone say they want from a writer?
  • a convincing Northern dialectwell, it is pretty much my own 
  • distinctive and attractive sense of place and periodI spent a lot of time there and then imaginatively at least – you won’t quite find Scoresby on a map
  • Mattie undergoes a true journey of self-discovery, finding out not only who and what he is, but also what he is made of. The story has told itself well then – and that’s what makes it ‘moving’. I still can’t read a certain bit without sniffling.

Points to ponder – I’m not sure yet where these will lead me – here are some immediate thoughts:

  • The lyrical, poetic quality of the writing and story may work better for girl readersI am deeply uncomfortable with the idea of gendered books. 
  • With this in mind, it may be worth considering if Mattie could perhaps work better as a girl – although that could have too much of a knock-on effect on other plot points, and the relationships/friendships. She is so right about the consequences of such a change. He has been Mattie Henshaw, complete with name, from the off. I did try doing a girl version at one point – but it felt wrong. Mmmm.
  • Does the period-feel work for a contemporary reader? The current challenges of selling period fiction in the children’s market would need to be considered. Sorry, but that’s not my problem. I can no more write contemporary fiction than fly. Besides, what about the sales of steampunk & gas-lamp fantasy?
  • Is the story and the writing unique enough? Now that’s a biggie.
Final thoughts
  • She usedcharmingtwice – aaargh – I shall have to get grittier!
  • I really love the feel, pace and detail in this manuscript. – I could hug her.
  • The author can really write. Huzzah!
So all-in-all with all those lovely things said, I’m slightly at a loss how 

there might be possible scope for working editorially with the author to make this book the best it can be.

Ah well. I’m always up for developing my skills.

Let’s see what I can do with ‘Georgiana and the Municipal Moon‘ at The Golden Egg Academy 23rd & 24th March, then.

 

Why I hate Mother’s Day

Yes I know it’s properly called Mothering Sunday in the UK – but that’s not the reason I loathe it.

It’s not the treacly sentimentalism and the cynicism of commerce – a lot of love is expressed through those pink sparkly bits of card and naff bouquets. Many people will share genuine affection in pub chain dining rooms – and I respect that.

It’s the assertion that mother-love is universal, a given, something natural and always to be found.

It’s not.

And when your relationship with your mother is different to this cross-cultural narrative, then the stream of tweets and posts on Facebook and the happy smiling families out to enjoy the day erode the scar tissue over your heart.

The memories of lost mums who were loving are worst. Especially if they are her age. Time is passing – soon there will be no chance to be reconciled, they say. And yet I am helpless. I cannot do anything to change this most fundamental of connections: she will not speak to me.

I’ve tried. Over twenty years I have tried. I do not know what I have done wrong – therefore I can never put it right.

Now people who come from normal families will assume I am partly to blame. Quite possibly I am. But I cannot do anything to heal a relationship with someone who never wants to see me again. You can’t say sorry to a closed door.

I gave up trying on my 50th birthday. I found out she was giving my father grief over it, so out of respect for him and sheer weariness, I stopped..

Just at this time of year stupid, callous hope flares up. I get glimpses of what it would have been like to have a normal mum. I’ve been lucky with both my mother-in-law and my husband’s step-mother. Both loving, ordinary mums – not faultless but kind and affectionate in their own individual ways.

For years, I’ve dreaded this time of year – and inevitably, like catching the inside of your mouth you’ve already bitten, as a teacher my class always did the Mother’s Day Assembly. I know and painfully love the things that normal mums do, that are truly worthy of celebration. I don’t want anyone to cancel Mother’s Day – I just wish it didn’t hurt so much.

There are many things I can thank her for. The love of reading comes first. I was safe when I read. It was an activity she approved of, and a vital means of escape. Then there’s music – a curious mixture: Mozart, Tom Lehrer,  and Hollywood Musicals. I know far too many Rodgers and Hammerstein songs still. Shared enthusiasms for the Russian Revolution, Richard III and St Francis too. There’s Scrabble and crossword puzzles, and all the time spent with various relatives which widened my experience of Yorkshire. My deep, abiding love of the sea comes from all my trips to Scarborough.

I suspect I am still trying to please her, to do well enough that she will be proud of me. I can’t stop my mind’s eye flashing up the image of her coming to  book launch or a prize or something. She never will – she wasn’t exactly known for coming to things even when I was little.

Yet still I have her to thank for being a writer. She won’t read this or even know about it – but still –

 

World Book Day special

I had a happy surprise for World Book Day: a mysterious package arrived. Inside were a set of Writing Maps which I had won from Mslexia. They are chock full of writing prompts by Shaun Levin and quirky illustrations by Stephen Longwill. All very encouraging when I am in-between novels.

They came with a postcard featuring a detail from Write Around The House – featuring a Library (and geese). So I had to do it – though I will admit to taking a bit of a liberty.

Go-to Characters

  • Eowyn for valour and sisterhood
  • Puddleglum for loyalty and gloomy humour
  • Nanny Ogg for honesty and bawdiness

Guided Tours

  • Venice with Salley Vickers, Donna Leon & Michelle Lovric
  • Caverna with Frances Hardinge – though Cheesemaster Grandible’s tunnels might be too much for me
  • London with Tom Pollock – I want to see railwraiths and light-veined lamp nymphs – although the glass spiders would give me the chills

Wannadoes

So how about you – what would your library prompt?

Interscotia

Apparently the interscotia refers to the period between Christmas Day and the New Year. It’s often a time for reflection on the Old Year – and ideas about the New.

This short post will be where I declare my commitments as a writer for 2013:

  1. To write every day. By that I mean as well as editing, promoting and analysing, I vow to create at least some small piece of original work every day. I have kept it up throughout December – inspired by Nephele Tempest’s December Writing Challenge – and largely throughout the rest of 2012
  2. To read at least one book a week. Again this is something I’ve been close to during 2012 – but I need to read more, especially works related to my writing. I commit to reading more – for Serendipity Reviews, to enjoy and to develop my skills.
  3. To enter as many competitions as I can. I find it stimulating to have a deadline and any long-lists, short-lists or even prizes are all to the good. By ‘as I can’, however, I do mean competitions which relate to my strengths, to who I am as an author. There must be some element which engages my heart – not just my intellect or fancy.

What are your promises to yourself, I wonder?

I’m reviewing the situation

Words from Lionel Bart’s marvellous ‘Oliver’ where Fagin considers his position.

At the moment, I’m working to a deadline. The submission date for the Write Now competition is 1st December – this Saturday. I only finished the first draft of ‘Georgiana and the Municipal Moon’ on 1st November – all 86,000 words of it!

Now it may well be that I should have shoved it in a (metaphorical) drawer for six weeks as per Stephen King’s advice – but alas, Pan Macmillan won’t wait for me. I have to say, too, that it’s good for me to have a date in mind, something to throw at the procrastination demons. It concentrates the analytical mind, at least.

There are two main aspects to the challenge:

  1. making my 5k extract as brilliant as I can
  2. pulling the first draft into a presentable whole – in case the judges ask for it

I have done a one page synopsis ( always a good exercise to see exactly what your book is about) and my author biography won’t take long. It’s those two biggies above that have caused me to be even more distracted from the ordinary world than usual.

Well, they say two heads are better than none – even if one’s only a sheep’s head where I come from (Yorkshire – where else?). On Friday night, I certainly had more than a flock of yows to consult.

The Night-Before Critique Meet is a legendary pre-SCBWI Conference event where you can tap into the mental resources of four or five authors like you. The group reads everyone’s extracts and gives considered feedback on them. I was lucky enough to work with Sarah Penny, Fiona McKeracher, Julie Day and Jan Carr. Each of these talented writers brought their own distinctive and helpful approach to bear on my work – and I am truly grateful. I will point out that gratitude in my case doesn’t mean that I will take every one of their comments to heart – but it does mean I take them seriously.

Two – you know who you are – have gone even further and provided a response to my redrafted version. How’s that for professional support?

If you are editing, and you have the chance of some input from fellow writers who have the best interests of your text at heart, receive it with a grateful heart. There are few things better.

My gratitude to everyone whose read and commented on my work so far. At the risk of seeming Hollywood-gushy, I couldn’t have done it without you.

The Next Big Thing

Thanks to Jo Wyton for tagging me!

What is the working title of your book? 

The Selkies of Scoresby Nab.

Where did the idea come from for the book? 

I’m a scuba diver and one of the most magical things I’ve ever done was diving with seals. This rekindled my love for the Selkie legends – although I’d never come across one from Yorkshire. So I decided to create one. I used the viewpoint of a boy whose mother was a seal  – but who did not know.

What genre does your book fall under?

It’s a children’s historical fantasy. (It makes me feel ancient to call the Sixties history – but they are to ten-year-olds!)

Which actors would you choose to play your characters in a film version? 

I think it would be have to be animated. I’d love actors with convincing Yorkshire accents to do the voice overs, mind you. Dame Judi Dench would do a fine Grandma and Sir Patrick Stewart, Granddad. But the central younger characters would be better off as complete unknowns.

What is a one-sentence synopsis of your book? 

When troublesome Mattie Henshaw is sent to his grandparents’ house on Scoresby Nab, he doesn’t expect to discover a sea-going family he never knew he had, or to have to save them from slaughter.

Will your book be self-published or represented by an agency? 

I don’t have an agent – yet. It has been long-listed for the Mslexia Children’s Novel Competition 2012, though.

How long did it take you to write the first draft of your manuscript? 

I wrote the first draft as the main work in my MA in Creative Writing from West Dean College which I finished in one year ( 2011)

What other books would you compare this story to within your genre?

I think it’s unique. It has a distinct Northern voice – so you might be reminded of David Almond‘ s writing or ‘Kes’, and there are magical parts that might make you think of Katherine Langrish‘s work or Pat Walsh‘s.

Who inspired you to write this book? 

My amazing taskmaster of an MA tutor, Greg Mosse ( yes, he is husband to Kate Mosse) and way back in history, my old English mistress, Miss Grey – who believed in me.

What else about your book might pique the reader’s interest? 

If they have ever wanted to swim like a seal , or enjoyed the magic of the sea, then this is a book for them.

NOTE

Please?

I haven’t got anyone else to tag – would you like a go? Please?

Storming the Citadel

Last night I went to Chichester’s rather lovely Assembly Rooms to listen to Kate Mosse talk about her intriguing new novel, Citadel. I had downloaded and read the beginning ,quite legitimately, I might add, and thought it might well suit my husband. We had been to Carcassonne,  and seen many of the streets in the Bastide which I knew were significant.

A delightful chap from the local Waterstones gave a preamble mentioning the many Kates – all facets of this inspiring and multi-talented woman. Her mother spoke up for Kate the Daughter – which caused a ripple of laughter. He also mentioned her previous titles but forgot ‘The Winter Ghosts’. A copy fell down shortly after. More amusement.

Through careful questioning by her husband, Greg, she took us through the stages taken to reach the finished work. I was pleased when she said ‘Sometimes the characters are not who you think they are’ and went onto explain how they emerge and assert their own traits. How many other writers have experienced this, I wonder?

It was fascinating, if humbling as a writer, to hear about her punishing work schedule. Up at three – coffee – write – jog – eat a little – write some more and so on… She deserves every success with effort like that. Especially when you consider that her beloved father died during the writing of this book.

The shadow of real life on every page of the draft .

Those who have read any of  Kate’s previous works will know how much the spirit of place informs what she does (another notion I aspire to). She spoke of the ‘shadows that you still feel in Carcassonne’ and how the events of 1942 can decide which cafe a person frequents in 2012. There were some deeply moving anecdotes – and in a strange way, it was good to see that these still affected her, despite all the research. She has not lost the emotional connection with the Languedoc over her 23 years of work.

She clearly knows her stuff, yet self-effacingly prefaces detailed facts with ‘As I am sure many of you will know…’ I also cannot help but warm to a woman who admits that ‘novelists are shockingly nosey and inveterate liars’. She is a great smiler and does not take herself too seriously.

For me, the fact that she wanted to tell the hidden history of women and commemorate the ordinary people who couldn’t turn a blind eye,  was appeal enough – but there had to be more before I would get it for my husband. It came with her enthusiasm for adventure stories: H. Rider Haggard and the like:

I like big juicy novels.

And when she said ‘Really, it’s girls with guns,’ and  ‘It’s all about that action!’ I just knew it would fit the bill. As a Sussex man, he would also appreciate the value for money of 700 pages.

So I coughed up and had it signed by both Kate – and Greg. As one of Greg’s MA graduates, I was privileged to be invited to the after-party at Amelie & friends, which was a lovely mixed, inclusive event ( with rather nice olives too). Kate gave an emotional  thank-you speech stood on a chair. I will not forget the deep affection expressed there for her husband and his support. I will always treasure this book as a symbol of the kindness I get from mine.

Time and motion study

This week ( 30th September to 6th October ) I have been in Greece. This was a family holiday booked much earlier in the year for the benefit of my lovely husband who is Rather An Active Sort. We are at a Nielson Resort which means there are A Lot of Healthy Things To Do laid on.

This suits him enormously but I had my concerns. I have been rather pleasantly surprised. By the time that you read this I will have :

  • written 3k+ more of Georgiana & The Municipal Moon
  • read and reviewed one middle grade girls’ fantasy
  • read and reviewed a huge YA fantasy ( with demons!)
  • read three more books on my Kindle
  • written two articles for the #seamagic project
  • posted at least five #seamagic links on Facebook & Twitter
  • done four sessions each of yoga, zumba, aqua-aerobics and stretch & relax
  • walked, swam, snorkelled – and ate too much
  • written this post – obviously

Not the only fantasy reader…

Now it has to be said that I haven’t had to cook or clean this week (huzzah!) but I have socialised more than I would normally. My intention here is not to boast ( well, perhaps a little) but to show myself that I can do all sorts of different things and still find time to write & other authorly stuff.

Some things just keep going, no matter what.

I rather hope you might have read an earlier post about using your core – I’d like to add that this is not a contradiction. I don’t actually find I can multi-task much. I can do things in sequence, not parallel.

I believe that this week has worked best when I have thrown myself whole-heartedly into exploring a half-submerged cave, dancing like a loon or writing about Regency Selchester. I can’t do two things at once very well – but I can do them one after the other – even in, say, twenty minutes.

Close of play – even for Lovely Husband.

 How do you fit your many tasks in during the week? 

Reading week

On Saturday  29th September I have the great good fortune to be going to Greece with some of my nearest & dearest.  My darling husband will use the time to indulge in non-stop  sailing, wind-surfing and other wet & active things. I will not.

Ready & loaded.

I will join in some sort of keep-fit and swim and snorkel, but mostly I shall READ.

Set to make notes.

Now when I went to University, we had Reading Weeks. Now that was a long time ago – rooms in Halls of Residence didn’t have en-suites, shared kitchens were not visited by any  form of cleaner and ‘wireless’ meant the radio. I don’t know if Reading Weeks set aside for personal study still exist.

But what a splendid opportunity if they do. I intend to make the best of mine.

My reasons for reading

  • to refill my well of creativity – it works like a dowser’s charm: ideas bubble up out of depths I thought were as dry as a camel’s eyebrows
  • to suss out the competition – well really to get the feel of contemporary children’s fiction – and decide where I stand
  • to escape my own head – it’s so good to take a trip into somebody else’s imagination, to wander places I would never have thought of
  • to peek behind the scenes – to admire how they do it and pilfer any good ways of showing character, developing suspense, using structure…
  • to support my friends and colleagues – if I read with my full attention I can help if I am  asked, and any sale is a good sale1

So – what would you do on a Reading Week – and why?

Of Muppets and Men

I tweet a little ( @lockwoodwriter) and read a lot on Twitter. Recently I followed  with horrified interest Jeremy Duns‘ continuing expose of Stephen Leather’s tactics. I knew more than I wanted about the man’s political views and obnoxious ways of self-promotion. Other than tainting the whole concept of writer, I didn’t see how it could affect me.

That was until I read about R. J. Ellory. I was so disappointed that I cried.

I had read Roger’s work as part of my MA and met him in that context as well. I liked him – and truth told, I still do. He was unstinting of his time & encouragement- and we’ve had a few laughs and discussions on Facebook too. I find it so hard to put him in the subset of ‘sock-puppeteer’ and make that intersect with the bloke I know. You can probably imagine my relief when he apologised – and this was accepted by Mark Billingham, one of the writers whose work he had trashed.

It was perhaps naive of me not to realise that this stuff goes on in the Wild, Wild West which is modern publishing. And it would be foolish to assert that it certainly doesn’t go on in the pure innocent realms of writing for children. I honestly just don’t know.

‘It’s not easy being green…’

All I can be sure of is what I do. All my reviews are written as myself. I welcome feedback and debate.

I read books for Serendipity Reviews. I have had my moments of anxiety with this. I’ve had friends’ books to review that didn’t quite do it for me, and genres which are definitely not my thing. I try to take a compassionate and professional standpoint by asking myself the following:

  1. How would I feel to receive a review like this?
  2. What were their intentions – does it suit the readership it’s meant for?

On the whole, I err on the side of kindness. There are times I wish I had the all-guns-blazing self-assurance and spleen of an Anthony McGowan – and I do wonder if I have elected for cowardice. Perhaps my judgement is weak. But my motto in this context is ‘first do no harm’.

Likewise in my role as Graduate Editorial Assistant at West Dean, my primary goal is to develop what the MA students are trying to do. Doing them down to make me look or feel superior won’t achieve much. I need to suggest more they could do, not shut down their options.

The green-ey’d monster which doth mock…

Now before I sound far too goody-goody, I had better point out this took a while to learn. And I should also make it clear I acknowledge several motives for sockpuppetry in myself:

  • envy of sales – 50 Shades of **** for example
  • jealousy of talent – Patrick Ness, Philip Pullman, Kath Langrish, Sally Prue et alia
  • sheer desperation

That last is a killer.

Oh to be superstar like Miss Piggy

Let the one without sin cast the first stone…